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Here are all the paintings of Bonaventura Peeters 01
ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
88436 |
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An Oriental Harbour |
between 1650(1650) and 1652(1652)
Medium Oil on wood
cyf |
83570 |
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Dutch Ferry Boats in a Fresh Breeze |
1640s
Medium Oil on oak panel
Dimensions 33 x 38.2 x 6 cm (13 x 15 x 2.4 in)
cyf |
82147 |
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Grobes Seestuck |
Date by 1652(1652)
Medium Oil on canvas
Dimensions 50 x 85 cm (19.7 x 33.5 in)
cjr |
96542 |
|
Sea storm with sailing ships |
circa 1640(1640)
Medium oil on panel
cyf |
90402 |
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Storm on the Sea |
1632(1632)
Medium oil on oak
Dimensions Height: 58.5 cm (23 in). Width: 84.5 cm (33.3 in).
cyf |
90017 |
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The Great Flood |
first half of 17th century
Medium oil on oak panel
Dimensions Height: 19 cm (7.5 in). Width: 34 cm (13.4 in).
cyf |
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Bonaventura Peeters
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(Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes).
Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.
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